Faculty
Cynthia Lucas, Artistic Director (Advanced division)
Ms. Lucas was born in San Rafael and received her ballet training from Leona Norman at Marin Ballet. Ms. Lucas joined the National Ballet of Canada in 1972 and was widely recognized as a dramatic ballerina during her stellar 18-year performance career. She became Ballet Mistress of that same company in 1989 and was promoted to Principal Ballet Mistress in 1996; her responsibilities included teaching company class, re-staging the company repertoire, and assisting Artistic Director James Kudelka on many of his creations. In this capacity, she also advised the community outreach program, Bits & Pieces , and developed a valued relationship with the National Ballet School of Canada, creating and expanding the Apprentice Programme. After 26 years with the National Ballet of Canada, Ms. Lucas was appointed Marin Ballet School Director in 1998 and promoted to Artistic Director in 2000.
Becky MOORE, Artistic Coordinator (Primary & advanced divisions)
Becky Moore received her ballet training from Laguna Ballet, Contra Costa Ballet, School of American Ballet, and LINES Ballet School. She then went on to earn degrees in ballet and business at Indiana University, studying on scholarship under Violette Verdy. Ms. Moore has danced professionally around the country with The Washington Ballet, Cincinnati Ballet, Ballet West, and Pittsburgh Ballet Theatre. Ms. Moore returns to the Bay Area after four years with the Washington Ballet, serving as both dancer and Artistic Coordinator. After dancing with the company for two years, she went on to become the primary ballet mistress for Septime Webre’s The Nutcracker and Cinderella, as well as a faculty member for the esteemed Washington School of Ballet. She has taught children and adults of all ages and set numerous ballets on the school and company. Ms. Moore is thrilled to be joining the staff of Marin Ballet for Fall 2008.
Leslie Crockett (intermediate & advanced divisions)
Leslie Crockett was trained by her parents, Barbara and Deane Crockett, and on scholarship at San Francisco Ballet School. She danced professionally with SFB and on Broadway in musical comedies. She joined the faculty of San Francisco Ballet School in 1982, where she taught for thirteen years. Ms. Crockett has taught master classes for the Pacific Regional Ballet Festival, Contra Costa Ballet, Deane Dance Center, and City Ballet School, among others. She has choreographed several ballets with support from grants from the National Endowment for the Arts. In 2004 and again in 2006, Ms. Crockett was chosen by Regional Dance America to be the adjudicator for their annual ballet festivals. She was invited back to adjudicate the 2007 National Festival. She joined the faculty of Marin Ballet in 1995, serving as Acting Artistic Director in 1998 and Performance Director in 1999.
Laurie Klein (primary division)
Laurie Klein was trained by Leona Norman at Marin Ballet and participated in many Pacific Regional Ballet Festivals and Craft of Choreography Conferences. She performed with Western Dance Theatre under the direction of Norbert Vesak, where she studied as a teacher-in-training. She joined the Marin Ballet faculty in 1972, and is responsible for developing the Pre-Ballet Division and its syllabus.
Sandy Jennings (Intermediate & Advanced Divisions)
Ms. Jennings was born in Boston and began her dance training with the Washington Ballet and later with Boston Ballet. At the age of 13, she received a Ford Foundation scholarship to the School of American Ballet in New York, where she performed lead roles in ballets such as Paquita, Sleeping Beauty, Swan Lake, and danced in George Balanchine’s Tarantella at New York’s City Center. Ms. Jennings danced for the New York City Ballet for nine years, where she worked closely with George Balanchine, performing an enormous repertoire including principal and soloist roles in many of Balanchine and Jerome Robbins’ ballets. Additionally, she performed on television in Dance in America, Live from Lincoln Center, Live from Studio 8H, and Canadian Broadcast. She served as ballet mistress and company teacher at The Pennsylvania Ballet for nine years and at San Francisco Ballet for four years. Ms. Jennings has worked as a teacher and assistant to Jean Pierre Bonnefoux at Chautauqua Institute, where she began staging Balanchine ballets. She is currently a repetiteur for The George Balanchine Trust, and has staged over 30 of his works for ballet companies and schools around the world. Jennings has taught at schools and companies throughout the United States and abroad and is a proud mother of two. Ms. Jennings joined Marin Ballet in 2005 as a repetiteur and as part of the MB Guest Faculty.
corinne jonas (primary, intermediate, & Open Divisions)
Corinne trained exclusively at Marin Ballet from the age of five to sixteen. Her professional ballet career includes: the Houston Ballet for nine seasons, Diablo Ballet for six seasons, and as one of the Ballerinas in Andrew Lloyd Weber's Phantom Of the Opera. Ms. Jonas served as Berkeley Ballet Theater's Artistic Director for five years before joining Marin Ballet in late 2006.
David Kato (Boys' Class)
David Kato trained at Marin Ballet and holds a BA in dance from Dominican College. He danced professionally with Empire State Ballet in New York and has danced as a guest artist with many Bay Area companies including Oakland Ballet, Western Ballet, Berkeley Ballet Theater and Margaret Wingrove Dance Company. He has taught technique, pas de deux and boys' training in schools throughout the Bay Area and is currently also on faculty at Berkeley Ballet Theater. He joined the MB faculty in 2003.
Signe Lando (pre-ballet & primary divisions)
Signe Lando earned a B.A. in child development from San Jose State University, and studied dance with Jody White, Margie Belrose, the Romanoffs, Alvin Ailey, Margot Jones, and Rec Russell, among others. She danced with the Marin Chamber Dance Co. under the direction of Juliana Sakowsky. Mrs. Lando developed a rhythm and movement program for pre-schools and joined Marin Ballet faculty in 1988, specializing in pre-ballet classes and scholarship training to outreach communities. She has also choreographed a dance based on Madeleine L'Engle's book Dance In The Desert with composer Philip Lee Hahn at St. John's Church in Ross.
olivia ramsay (intermediate & advanced divisions)
Olivia was born in San Francisco and received her training at Marin Ballet, San Francisco Ballet School, Dancers Workshop, Dance Aspen, and The Jillana School. Upon graduating from Marin Ballet under the direction of Cynthia Lucas, Olivia went on to dance professionally and tour around the world with State Street Ballet, Ballet Pacifica, and most recently with Smuin Ballet where she performed works by Michael Smuin, Robert Sund, Kirk Peterson, and Jiri Kylian. She has enjoyed taking on a new role in the studio as teacher, rehearsal coach, and choreographer. Olivia is working towards her B.A. from the Saint Mary's College LEAP Program, for which she recently taught, choreographed, and mentored underprivileged youth in Cape Town, South Africa. Olivia is thrilled to be returning to the Marin Ballet community to work alongside the teachers and mentors who helped make her career possible.
Stephanie scarpello (pre-ballet & primary divisions)
Stephanie Lando trained at Marin Ballet for 11 years, studying withSvetlana Afanasieva, Leslie Crockett, and Shannon Bresnahan. She has danced with the COM Dance Company, performing various works by choreographers Kristi Kuhn, David Jones, and Ellen Bauer. She graduated Cum Laude from the University of San Francisco with a B.A. in Performing Arts & Social Justice with an emphasis in dance. Ms. Lando joined the Marin Ballet faculty in 2003.
Robert Sund (Open Division)
Robert Sund was a principal dancer with Pacific Northwest Ballet and in 1979 joined San Francisco Ballet, where he performed solo and principal roles. In 1996 he choreographed his first full-length ballet, A Midsummer Night's Dream, for the Norwegian National Ballet. Mr. Sund has also created two award-winning ballets for television: Womensong in 1990, received three Emmys including "Outstanding Entertainment Special;" and Blue Lair in 1992, which won another Emmy for choreography. Mr. Sund's guest teaching credits include: Frankfort Ballet, Netherlands Dance Theater, Stuttgart Ballet, Vienna State Opera Ballet, Ballet du Nord, Zurich Ballet, San Francisco Ballet, Birmingham Royal Ballet, Pacific Northwest Ballet and as company teacher for Smuin Ballets/SF. Mr. Sund joined the MB faculty in 1997.
Recent Guest Teachers:
Kim Agnew (West African)
Peter Brandenhoff (Ballet)
Marcus Bugler (Ballet)
Katie Faulkner (Modern)
Yukie Fujimoto (Modern)
Joe Gray (Hip Hop)
Anna Lantz (Character)
Joey Levinson (Pilates)
Kimberly Michelle (Pilates)
Wade Peterson (West African Drumming)
Sandra Tanner (Jazz)
Amy Wolff (Yoga)
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